As a result of the COVID-19 epidemic, travel restrictions, theatre cancellations, and a statewide lockdown, film festivals have been required to reexamine their methods of operation as well as the ways in which they recruit new participants. This is because the epidemic has caused travel restrictions, theatre cancellations, and a statewide lockdown. Streaming services are increasingly being utilised at film festivals to screen movies that have not yet been released in theatres as well as movies that have been selected by the organisers of the festival. The filmmakers will deliver prerecorded speeches and participate in live video discussions that will be streamed by the event’s organisers in order to improve the quality of the filmmakers’ virtual experience.
As a direct result of this, cybercriminals are substantially more inclined to steal content off of the internet, most notably unreleased films. The B2C SVOD services domain has recently seen significant growth, and the same ideas of identity management and credential sharing can be applied to virtual film festivals with the same level of success. The lack of any form of physical control or enforcement during movie premieres, in addition to the movement of premium content from public to private places, both contribute to the significant simplification of the process of screen capturing.
Using content that is protected by DRM protected content is one method that organisers and distributors have implemented in order to prevent pirates from accessing premium streaming content. Recordings of live streams can also be utilised in this manner, though DRM is the more common method. The use of forensic watermarking, which is a type of video protection technology, is an effective approach for preventing the theft of digital content and establishing ownership, copyright, and authenticity. This is because forensic watermarking is a video protection technology. Utilizing various watermarking techniques allows for the encoding of metadata into the video stream. Some examples of this type of metadata include a user ID, an IP address, and time stamps. This metadata can be utilised as forensic evidence in order to discover who is responsible for the infringement and track down the source of the violation.
There is a possibility that film companies and independent filmmakers will want a level of precision that cannot be delivered by video watermarking. The capability to recognise specific user accounts or streaming sessions is just one illustration of this concept. To accomplish this objective, it is possible to make use of a technology known as session-specific watermarking, which involves the addition of a digital signature to each individual session. Only two distinct versions of the content are required in order to generate one-of-a-kind manifests for each session. These manifests can then be routinely cached on a content delivery network (CDN). Because the relevant session data is saved within the content itself for processing on the server side, this method does not call for the utilisation of any third-party libraries in order to be carried out effectively.
If you want to organise virtual film festivals or award screenings, you’ll need a platform that not only has the capacity to host these events securely but also provides additional capabilities like geo-blocking and secure distribution. You will not be able to organise these events if you do not have access to a platform of this nature. It is probable that these virtual platforms will continue to be utilised for festivals even in the event that genuine ones are brought back into existence. This is due to the fact that they have been successful in attracting new viewers as well as increasing viewership.
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